Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Friday, December 13, 2019

Book Review: Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness






Book: Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness
Author: Sy Montgomery
Publisher Information: New York, NY: Ataria Books
Genre: Nature-Nonfiction

For decades, astronomers the world over have pointed their telescopes to the sky in hopes of picking up a signal from an alien intelligence.  But ask Sy Montgomery, keen-eyed naturalist and documentary scriptwriter, and she’ll tell you that we’ve already discovered alien life right here on Earth — and it comes in a squishy, flexible form familiar to both aquariums and sushi combo platters across the globe.  Cephalopods — octopuses, squids, and cuttlefish — are strange beasts, with three hearts, blue blood, and a closer kinship to clams and slugs than any other animal we’d grace with the term “intelligence.” And yet these mysterious mollusks have lit the typically sober world of animal consciousness research aflame in recent years due to how thoroughly they’ve shaken what we thought we knew about animal intelligence.  Montgomery brings these observations and more to print in her book Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness, an overview of the fascinating science of molluscan minds from the New England Aquarium to the Pacific Northwest.

Though neither a cognitive scientist nor a dedicated marine scientist, Montgomery is a skilled and patient observer of wildlife, as well as a capable writer whose empathy and concern for her subject makes her book an enjoyable read.  Though she falls short of a rigorous explication of the nuts-and-bolts science surrounding these wonderful creatures — a notable omission when compared to other notable popular science books, like Katherine Harmon Courage’s Octopus!: The Most Mysterious Creature in the Sea — Montgomery presents what she does cover clearly and accurately.  Biologists are just starting to unravel the befogging mysteries behind these beguiling aliens, and Montgomery illuminates the latest findings while appreciating current limitations.  

But Montgomery isn’t just a sideline cephalopodists; her book pops with a deep seated appreciation for these creatures, and stands out from the rest of its kind not only for drawing out the personalities of several individual octopuses in the aquarium’s care, but also on reflecting how these close encounters changed their handlers, and herself, in profound ways. Montgomery’s narrative unfolds like a novel, spotlighting a varied cast of characters both spined and spineless, and rivals Jane Goodall in the sensitivity with which she treats the latter, a cadre of giant Pacific octopuses. There’s gentle, personable Athena, her first encounter with this world of alien intelligence; aloof, stoic Octavia, the only octopus to run the course of the entire book and whose defrosting proved a particular accomplishment to both her handlers and the author; Kali, playful and endlessly curious, often to her detriment; and lastly, feisty Karma, whose mood fluctuation from joyful to hostile kept all attendees at the aquarium on their toes.  Montgomery reveals much about the lives and behaviors of her subjects, and sprinkles her text with cephalopod facts as well as info on the aquarium’s scientists and other long-term, water loving residents. Few books, even on so magnificent of a creature, have delved into their distinct idiosyncrasies and personalities, and Montgomery manages to tie all of that together in a brisk, engaging narrative flow.

Though not the most extensive or detailed treatment of the cryptic science of octopus neurobiology, Soul of an Octopus deserves all of its accolades for giving these misunderstood animals a dignity and individuality in prose usually reserved for our warm-blooded kin.  Diving into this world as an outsider and encountering these startlingly intelligent yet utterly alien critters, Montgomery emerged from the depths a changed woman, giving serious contemplation to her title as their individual personalities and high intelligence clashed so tragically with their short lives.  Though not ideal for the hard-nosed scientist, this finalist for the National Book Award gives much for anyone curious about the strange, surprising, and mystifying animals we share our planet with.

Thursday, December 5, 2019

December Releases

December Releases

'Tis the season for moviegoing, and the box office is dropping some serious bombs (probably in both senses of the word) in time for the holidays.  The biggest light in the theatrical Christmas Tree is undoubtedly the last installment of the Skywalker saga from Star Wars.  Though this trilogy has been mired in both unwarranted criticism and justified skepticism, it's still Star Wars, and fans no doubt will tune in to see Rey, Finn, and the rest of the cast execute this swan song for the Skywalker legacy.  Beside that behemoth, many other gems will debut this month, including The Aeronauts, a film about a pioneering balloon flight probably better known for its...controversial choice to replace real balloonist hero Henry Coxwell with movie-made character Amelia Wren; and the newest disturbing trend in modern psychological "smart horror," Daniel Isn't Real, where a troubled college freshman resurrects an imaginary childhood friend to cope with a recent trauma, but ends up with far more than he bargained for.

For the gamer in your family, the release of Star Ocean: First Departure R - an enhanced, remade title of the first of the long running, popular Star Ocean series - will surely please the RPG fan,  while the more cerebral player should check out Mosaic, a bleak, mysterious adventure game by Norwegian developers Killbite Studios which captures almost too perfectly the feeling of being a cog in the machinery of society.

For these and other stocking-stuffers for the family this holiday season, check out the links below as always: 



Movies

Games


Music 

Television

Happy holidays, everyone!

Saturday, October 5, 2019

October Releases

October Releases
 

Better late than never.

October brings the heavy Halloween hitters to the box office brawl, not least of which is Warner Bros.'s foray into the dark side of the DC universe with the American premiere of Joker, an experimental first salvo into a proposed line of superhero films with indie sensibilities. If you're looking for monster clowns of a different shade, there's Wrinkle the Clown, an...odd, documentary about a Florida retiree who for a fee will don an unnervingly creepy clown mask and scare rambunctious rugrats straight - and no doubt, gift them with a good helping of life-long coulrophobia.  The animated film version of The Addams Family will debut later this month as well, bringing a Tim Burton-esque vibe to the classic monster family, while Breaking Bad fans dust off their beakers and snappy Heisenberg one-liners in preparation for El Camino: A Breaking Bad Movie, a continuation of the groundbreaking series following show deuteragonist Jesse Pinkman as he struggles to claw his way out from the muck of his past deeds.

The small screen sees the return of many TV favorites - like Riverdale, The Flash, and 'verse progenitor Arrow's much-anticipated swan song - along with a few newcomers.  Ruby Rose will reprise her role as the Arrowverse version of the controversial Batwoman in the CW's latest superhero addition, while HBO sets about the herculean task of adapting the legendary Alan Moore's magnum opus Watchmen into an extended series.

For these releases and more across mass media, follow the links below, as always: 


Friday, January 4, 2019

January Releases

January Releases

Happy New Year!  And I can't think of a better way to ring in the post-yuletide celebration than with a couple of newborn flicks to start the year off right.  



Right out the gate comes Escape Room, Adam Robitel's claustrophobic thriller, which is basically 1997's The Game in a new guise, mixed with some Saw elements and with a more relevant name.  Derivative as that sounds, it may yet prove, uh, thrilling.  The Upside and A Dog's Way Home are where it's at if you're looking for more upbeat, feel-good flicks, while latter-month releases include On the Basis of Sex, a biopic on the great Ruth Bader Ginsburg that feels "timely" without the slimy, skin-sticking oil slick that term often conveys; and Glass, the long-awaited sequel to M. Night Shyamalan's Unbreakable which will hopefully continue that much-maligned director's recent upswing.      

Meanwhile, the biggest news in the world of video games is likely the release of Kingdom Hearts III, the twelfth installment in Square Enix and Disney's collaborative games series that will serve to conclude the series's Dark Seeker saga.

There's lots more in the world of entertainment besides the above, so bring on the champagne, pop the cork, and let the box office fireworks fly.


Movies

Games



  See you at the movies!
 

Saturday, April 14, 2018

Book Review: The Valley so Low



 
Hang your head over...

Book: The Valley so Low: Southern Mountain Stories
Author: Manly Wade Wellman; compiled by Karl Edward Wagner
Publisher Information: New York, NY: Doubleday, c1987
Genre: Fantasy fiction

Fantasy fiction feeds off a certain collection of well-defined settings and tropes.  Sure, some level of diversity has always existed, but by and large, most fantasy is cut from the medieval template developed and codified by such luminaries as J.R.R. Tolkien and C.S. Lewis: kings and queens in high castles, a feudal economic and social system, and heroes clad in armor and wielding swords or spell books.  But every once in a while an author shakes up the paradigm by adding different cultures and inspirations into the mold.  Manly Wade Wellman (1903-1986), born in Portuguese West Africa and raised in North Carolina, is perhaps not as well known in fantasy circles as the above two dignitaries, but he held a commanding place in the pulp fantasy publishing world of the 60s and 70s.  He bucked the usual trend by infusing his stories with the folk culture and customs of the southern Appalachian environment in which he was raised.  Over many decades, he created a number of memorable heroes: Judge Pursuivant, a former judge and scholar of the occult; John Thunstone, supernatural detective and playboy, who smites evil with a silver sword-cane; and his most famous creation, a wandering bard with a silver-stringed guitar known as John the Balladeer, Silver John, or simply, John.  This slim volume, compiled by author Karl Edward Wagner, contains a varied collection of stories made by the writer in his last fifteen years of life.  Though often predictable and somewhat formulaic, Wellman has a magic touch for old-fashioned spooks, shifting from old-fashioned campfire tales to almost Lovecraftian levels of creepiness, and dedicated fans will definitely enjoy these last glimmers from an old master’s twilight.

The stories are arranged in an orderly fashion, based on who the headliner is.  Silver John takes the fore, of course, being central to the first five tales and beating out the other contenders for percentage of the total volume.  This was my first encounter with the mysterious bard, and I must admit that I can easily see the appeal of the character.  John is a humble, plain spoken fellow, but don’t let that fool you; he has a brilliant mind, and possesses an encyclopedic knowledge of the folklore and deadly supernatural threats that haunt his land.  Though a vet of the Korean War and hence trained for combat, he’s more of a backwoods Dr. Who than an action hero, relying on his wits, his vast knowledge, and the occasional white magic spell usually channeled through his songs and strings to vanquish his otherworldly foes.  And speaking of his adversaries, the varied beings John and his compatriots face are a curious blend of folk myths and cosmic horror; though many are familiar creatures, like vampires ("Chastel"), witches (The Witch for All Seasons"), and good ole’ fashioned haunts, many others feature terrifying specters of another world running roughshod over the good folks of this slice of Appalachia.

But this is still Lovecraft Lite, for no matter how alien the nemesis or its power, our heroes always prevail.  This is both a blessing and a curse for the anthology, for while the element of wish fulfillment remains intact, the stories are very predictable if headlined by one of Wellman’s protagonists.  If there’s a good, virginal, innocent girl, expect her to live through the book, and maybe even become a love interest.  If there’s a “bad” (read: not sexually-repressed) girl, or a crook, or anyone with the slightest bit of taint on their souls, expect them to be the villain - or at least, meet a bad end by the conclusion.  The blatant morality play can get tedious, and when the stories are led by Lee Cobbett or Hal Stryker — newish protagonists who feel more like knockoffs of Wellman’s more established figures than characters in their own rights –  the tedium climbs to staggering heights.  This is mitigated a bit in the last couple of stories; the morality play is still there, for sure, but the main characters are now a varied collection of one-offs who may or may not live through to the end depending on their moral alignment.  While still predictable, the eerie, Lovecraftian karma seep gives these tales the impact of a well-told campfire yarn.  Wellman understands that the scariest entities are the ones built up only to be left unexamined, and while throwaway explanations are given in stories like “The Petey Car” and the unnervingly creepy “Rock, Rock” and "Along About Sundown," they do little to make the entities encountered any more understandable - or less frightening.

If you’ve been a Wellman fan for years, this collection may seem like a let-down, though a poignant one, as they reflect the very last of the great writer’s works.  If this is your first encounter, then it’s recommended that you take a gander at his earlier stories, especially the Silver John tales.  If you’re looking for homegrown American fantasy with a touch of horror, you can do much worse than Wellman and his backwoods clashes between heroes and the dark forces of the world.

Wednesday, April 4, 2018

April Releases

April Releases



April showers bring Spring releases, and this month is bursting with all sorts of fine goodies to indulge the dedicated movie goer.  The big story is, obviously, Marvel's Avengers: Infinity War, which features the return of our heroes to doling out justice against apocalyptic forces of planetary destruction after several films of more down-to-earth matters.  But there's more to love this month than just the usual superhero bash.  Dwayne Johnson smashes back into theaters with Rampage, an unlikely video game adaptation featuring the former wrestler teaming up with a discredited genetic engineer to save a cadre of oversized beasts from destroying each other and the world.  Besides these special effects blockbusters, April brings two animated films which inevitably will vie for the dubious honor of not wresting the Academy Award for Best Animated Feature from the Disney/Pixar cabal: Duck Duck Goose, an American-Chinese joint effort starring Jim Gaffigan as a bachelor gander who finds himself saddled with two ducklings on his migration south; and Animal Crackers, another international collaboration (American-Spanish this time) in which a struggling family who inherits a rundown circus discovers a magical box of animal crackers that allows them to transform into any animal they eat.  Hijinks, obviously, ensue. 

The t.v. front mostly features returns of old favorites, but with new little gem thrown in the mix: Tracy Morgan as The Last O.G., a witty look at gentrification and culture shock through the eyes of a Booklynite who is recently released from prison, only to find his neighborhood changed, his girlfriend married to someone else, and the long road to adjustment blocked by a host of barriers and nutcases along the way. 

Here's the skinny on what else is coming out this month:


Movies

Games



Television

See you at the movies! 
       

Wednesday, May 17, 2017

Book Review: "The Fellowship: The Literary Lives of the Inklings"





Book: The Fellowship: The Literary Lives of the Inklings
Authors: Philip and Carol Zaleski
NYC, New York:Farrar, Straus, and Giroux, c2015

Mythopoeia (“myth-making” in Greek) is not a word in everyone’s vocabulary, but maybe it should be.  A storytelling device characterized by a rich, densely structured, artificially-created mythos, it has existed since humans first told stories, but filtered into popular imagination today through the efforts of fantasy icon J.R.R. Tolkien.  The Oxford don’s compelling mythic narratives practically built our modern iterations of dwarves, elves and dragons, and we encounter variants of his creations in nearly every drop of fantasy media around, whether they are games, books, art, or the silver screen.  It's no exaggeration to say that the story of high fantasy in the second half of the 20th century and beyond is, ultimately, the story of Tolkien; everyone else is either a mimic, a detractor, or a renovator of his legacy.  

Tolkien’s towering presence in all things Fae is matched only by C.S. Lewis, the famous writer, scholar, and Christian apologist, as well as Tolkien’s friend and colleague.  Between them, they created some of the most memorable works of fantasy found in the English language.  But their most attentive devotees are well aware that the men were more than just casual friends.  Tolkien and Lewis were both part of an altogether higher order - an informal circle of like-minded peers, most hailing from the University of Oxford, gathered to discuss literature, philosophy, and the contemporary trends of society.  These men, “the Inklings,” were a diverse lot, bound only by a common Christian faith and a fondness for the fantastic, but they left a lasting impact in the world of letters and fantasy literature.  The fount of this grand legacy is captured in the wise and well written work by a husband and wife team; writers and religious scholars Philip and Carol Zaleski.  The Fellowship: The Literary Lives of the Inklings is a riveting group biography, chronicling not only the lives of literary greats like Tolkien and Lewis, but also covering some of the lesser known members of this cabal, particularly Owen Barfield, the Anthroposophist philosopher; and Charles Williams, Anglican mystic and delver into supernatural worlds unseen.  The Zaleskis shed new light on these writers, and in the process weave together a spellbinding narrative of collaboration, friendship, and ultimately, the triumph of wonder over the technical ingenuity of their literary peers.

The book’s function as a literary biography lends an idiosyncratic structure in which the lives of the Inklings are accompanied and bolstered by examinations of their relevant works.  This proves a successful showing, though it took some time before the core of this got going. The book's first half or so narrows its focus to Lewis and Tolkien, who are given a very thorough treatment of their lives from birth onward.  It make sense narrative sense, since both Lewis and Tolkien are unquestionably the main draws of both scholarly and informal study of the Inklings: the former recognized as maestro of the Inkling gatherings and the advocate of their place in intellectual discourse, while the latter is crucial to their modern fame and their launch into current fictional consciousness.  The authors cover their early lives, including their nascent years and the deaths which shaped them, and onward to their harrowing experiences during World War I and post-war lives as academics, translators, and writers.  The narrative grabs you like a fantasy epic, one informed by personal letters and reflections, and leaves you following the trail of these “characters” as you would any of their fictional creations: Lewis’s climb from atheism to “mere Christianity,” Tolkien’s dealings with a national and intellectual environment hostile to his beloved Catholicism, and the manner in which both men confront the materialism and skepticism rife in their surroundings with faith and humor.  My only issues is that the two other foci, Barfield and Williams, are given comparatively skimpy treatments, their stories subject to curt summation in the space of a chapter or two, with the importance of their roles initially limited to their relationships to Lewis.

But soon after the Inklings formed, the book really hits its stride, seamlessly integrating the great works by these men and the corresponding life events that shaped them.  They come alive as  personalities along with their highs and lows, and the Zaleskis’ lively prose keeps things moving along in a well-plodded pace.  The language can get a little flowery at places, but that minor quibble pales before the passion clearly shown for their subjects on every page.  Likewise, some important aspects of the Inklings' private lives are left curiously unexamined, like the tensions between Tolkien and his wife Edith over his religion, or details of Lewis's courtship with and eventual marriage to American writer Joy Davidman - which seems odd, considering the amount of detailed they poured into many other areas.  That said, the final analysis reads like a clear and balanced apologia of Inklings’ place in literary history: though lacking either the stylistic sophistication of their modernist contemporaries, or the thorough mastery of technical argumentation present among academic theologians and philosophers, they were able to tap into a sense of wonder and joy clear only to unjaded eyes, and in the process shaped the face of modern fantasy fiction - and will likely continue to do so for many years to come.

Recommendation: Must Read